John william godward biography

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BIOGRAPHY - John W. Godward ( - )

John William Godward was a British painter who was recognized for his classical style, which was heavily influenced by the Neo-Classicism movement. Born on August 9, , Godward's early life was shrouded in mystery, as he was a private individual who kept much of his personal history away from public knowledge. While it is known that he came from a well-to-do Victorian family, they were not supportive of his desire to become an artist. He started working in the family's business but was unhappy and left.

Godward's artistic education began at the St. John's Wood Art School, where he honed his skills in drawing and painting. His early works displayed a keen interest in classical themes, and he quickly became associated with the Neo-Classicist movement, which sought to revive the ideals of ancient Greek and Roman art. Godward's style was often compared to Sir Lawrence Alma-Tadema, another prominent artist of the time, under whom Godward is believed to have studied or been heavily influenced.

Throughout his career, Godward specialized in creating idealized images of women, often set against the backdrop of classical architecture or Mediterranean landscapes. His paintings were characterized by their meticulous attention to detail, parti

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John William Godward, a painter known for his Pre-Raphaelite and Neo-Classicist style, was born in the Wimbledon district of London, United Kingdom, in His professional artistic beginnings were somewhat delayed, despite showing an early inclination towards art, as his family largely disapproved of these pursuits. Following his schooling, he worked for a short time at his father’s insurance company, but soon began studying architecture with William Hoff Wonter, whose son, William Clarke, was a painter with whom Godward would become close, lifelong friends. Although there is no definitive documentation, it is widely believed that Godward attended the St. John’s Wood Art School and the Clapham School of Art alongside William Clarke Wonter sometime in the early s.

By the late s, Godward was exhibiting his paintings regularly at the Royal Academy and the Royal Society of British Artists—where he gained membership in He was also shown by the art dealer Thomas McLean, who championed and produced prints of his work. McLean’s support contributed a great deal to Godward’s growing popularity—and resultantly gave the artist enough financial security to move out from his parent’s home in Wimbledon. He relocated to the Chelsea neighborhood of London, and acquired a lease on a nearby studio