Fawne harriman biography samples

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The idea of diplomatic culture and its sources

To what extent does an independent diplomatic culture exist which permits diplomats to exert their own influence on the conduct of international relations? Insofar as such a culture exists, what does it look like, is it a good thing and, if it is, how is it to be sustained? To answer these questions, I will begin by exploring what we generally mean when we talk about culture and how we see culture operating in contemporary international relations. I will then sketch out the basic elements of a diplomatic culture and discuss different accounts of its origins. The main argument of this paper is that something we may call a diplomatic culture arises out of the experience of conducting relations between peoples who regard themselves as distinctive and separate from one another. The production of this culture by experience, however, can benefit from the right sort of diplomatic education and training. This help is greatly needed because diplomats are also shaped by other cultures whose preoccupations are rarely consistent with the requirements of good diplomacy.

The Idea of Culture

Bozeman refers to culture as a “common language, a common pool of memories, and shared way of thinking, reasoning, and communicating,” while Der Derian s

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My New York

Alex Katz’s revisiting of his 1940s “Subway Drawings” for New York. Read more here. Illustration: Alex Katz

This anniversary issue is devoted to what might make other people in other places go crazy but here we call connection. Not just the connections we choose, like our poker groups or going-out friends, but those that could happen only in a city as clotted and manic as ours. Fifty years ago, New York’s founding editor Clay Felker wrote a mission statement for his new magazine. “We want to attack what is bad in this city and preserve and encourage what is new and good,” he wrote. “We want to be its voice, to capture what this city is about better than anyone else has.” Here, we return to this mission, attempting to capture the city’s voice through stories that are spoken as much as written, almost entirely in the first person, and always about how our disparate lives intertwine. Read more about the project here.

Photo: Bobby Doherty/New York Magazine

“Way back, like 1939, my father-in-law, Daniel L. Burrows, had been in the State Assembly. He knew all the people, politically, and he wanted to see that his son-in-law got a break. And it was he who first introduced me to Ray Jones.

Ray’s nickname was “the Fox,” and that was appropriate, becaus