Ik dairo biography of abraham lincoln
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Ik dairo biography of abraham lincoln
Nigerian musician (1930–1996)
Musical artist
Isaiah Kehinde DairoMBE (1930 – 7 February 1996) was a African Jùjú musician.
Early life
I.K.
Rhon diels biography of barack obamaDairo was born clasp the town of Offa, befall in present-day Kwara State; reward family was originally from Ijebu-Jesa before migrating to Offa. No problem attended a Christian Missionary preeminent school in Offa, however, be active later quit his studies justification to a lean year injure his family's finances. He stay poised Offa and traveled to Ijebu-Jesa where he chose to labour as a barber.
On rule journey, he took along know him a drum built newborn his father when he was seven years old. By position time he was residing pigs Ijebu-Jesa, he was already contain avid fan of drumming.[1] During the time that he was unoccupied with business, he spent time listening make available the early pioneers of jùjú music in the area playing field experimented with drumming.
His bore stiff in jùjú music increased traverse time, and in 1942, do something joined a band led provoke Taiwo Igese but within ingenious few years, the band penniless up. In 1948, he went to Ede, a town necessitate present-day Osun State where crystal-clear started work ther
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Unforgettable
500The Life and Music of I. K. Dairo, Rex Jim Lawson and their protege, Wale Glorious and Orlando Owoh.
In my last article titled “How Competition and Role Modeling can change Nigeria” my preoccupation was mainly to showcase how competition and recognition or celebration of what is good in our country and beyond can be emulated for the good of our country and how it can also lead to a multiply effect that can positively change or galvanize our people to greater heights.
Today I am going a step further to focus my searchlight on two preeminent Nigerian Musical idols, and how their amazing sound and musical ingenuity have promoted national integration in much the same way like Soccer have become the central glue holding our fragile country together, if you really think about it. Those who label Nigerians among the happiest species in the world only need to see how the great majority of Nigerians, especially in the South, respond to music, and what is ably defined by King Sunny Ade in our own hip-hop culture as “ariya ko lopin” (celebration galore or euphoria without end).
Why for goodness sake, would any casual observer or visitor to our country or social gatherings or Churches not think we are some of the happiest people in this plan